2 Minor 7th Drop II Voicings (7,3,5,R) (R,5,7,3). Documents Similar To Drop2 voicings for Jazz Guitar. Jazz Guitar Book.pdf. Jazz guitar voicings vol 1 the drop 2 book pdf - great productivity Because I'm ready to pay just to have the book. It's just I come from a place which it's very.

I'd venture a guess that if you sent an e-mail to Randy, he'd answer your questions. For those that don't know him, he's an extraordinarily talented guitarist, and is something of a fixture out here in west Sonoma County. He was Julian Lage's guitar teacher from the time Julian was a preteen until he went off to college in New York. (He also taught my guitar teacher, Chris Pimentel, for several years at Sonoma State U.) I took a couple of lessons with Randy nearly two years ago, but I was nowhere near ready for him, and after his two-hour lessons, my head was about ready to explode with too much information.

He is a great teacher for someone above my meager capabilities. (If you can't find his e-mail address, send me a PM and I'll provide it, but it should be readily available.). As I understand it, 3 note voicings refers to any combination of 3 notes. Triads, 7th chord 'reductions' and even shells can be considered 3 note voicings. Shells are a specific type of 3 note voicing that includes root, 3rd and 7th of the underlying chord.

They are used as a basis for harmonically simple comping and structure and can be 'Colorized' easily by adding upper register chord tones like 9ths, 11ths, 13, etc. They thus become 4 note voicings that include only the bare minimum (root, 3rd, 7th, color tone) of harmonic information to transmit complex chords.

As Jonzo mentions, if you then drop the root from the resulting 4 note shell voicing, you have a small grip or shape that has 3 notes and a lot of harmonic content to get things going. I too recently got the Randy Vincent Drop 2 book. It's not what I expected.

In the introduction it says that this is an adaptation of Mark Levine - The Drop 2 Book. It's by no means a method book, more of a theory book with lots of ideas to work on. It does not teach you shapes for drop 2 chords, although these can be extracted from examples. It gives harmonisations of bebop scales using drop 2 chords on either bottom 4, middle 4 or top 4 strings. Major, Dominant, Natural Minor and Melodic Minor, plus altered.

It gives standard harmonisations and 'tweaked' - still not sure what that means. One frustration is that it doesn't seem to give any full examples of tunes harmonised with this bebop scale drop 2 system, although lots of short examples.

Not quite sure what happens when the chord changes as opposed to when the key changes. Kuroko No Basuke Season 2 Episode 13. My plan to use this book is to start learning the harmonised scales on the middle and top 4 strings (bottom 4 string versions are rather muddy as is stated in the book) and then try applying them in a chord melody fashion. Lots of writing out to be done as almost all examples are in C major. I think there is a lot of depth in the book but some frustrating omissions on how to apply this stuff to tunes in my opinion. I must say the harmonisations of the bebop scales sound great; I've never got sounds out of my guitar like this before.

Rather a slim volume and the CDs are not much use to me - just playing the examples which I can do myself, albeit slowly. I would really be interested in how others are using this book. And I'm going to start saving my pennies for the 3 note voicing book which looks to have more meat (certainly more pages). I am working my way through3 books right now:!) 3-note Voicing & Beyond. I have read through the whole book and am now going through the exercises which are IMHO, excellent. 2) I have also read through the Drop 2 book and am picking subjects of interest for study and practise.